Mixed Christmas |
Chatwin and Martin
| Peter Chatwin, born Birmingham 1945, and Pamela
Martin, born London 1949 Chatwin: Birmingham College of Art
and Design; Martin: Loughborough College of Art and Design.
Artistic partnership formed 1981 |
| Chatwin is currently associate senior lecturer
at Manchester Metropolitan University, and Martin is visiting
lecturer and external examiner at various universities |
| Recent exhibitions include Angel Row Gallery,
Nottingham; Oxford University Museum of Natural History; Contemporary
Arts, London |
| Currently involved in collaborative work with
the entomologist Peter O’Toole, exploring the nature of
the art—science relationship |
|
Assheton Gorton
| Born Sedbergh, Yorkshire |
| Studied architecture at Cambridge University
and fine art at the Slade School in London |
| Presently lives Powys, Wales |
| Production designer for many years. Initially
worked on over forty ‘Armchair Theatre’ productions,
then moved into film where his work included ‘Lost Angels’,
‘The French Lieutenant’s Woman’, ‘Gulliver’s
Travels’, ‘The Magic Christian’ and ‘Blow
Up’ |
| Drawings included in the Hayward Gallery’s
‘British Drawing’ show |
|
Asif Kamal
| Born 1943, northern Pakistan |
| Medical doctor by training; a self-taught
painter |
| Presently lives and works in Lincolnshire |
| Exhibitions include the City Gallery, Leicester;
Ikon, Birmingham; Eastern Open, King’s Lynn; Usher Gallery,
Lincoln |
| Was consultant physician at Lincoln County
Hospital until 2005 |
|
Ken
Lee
| Studied painting at Middlesborough College
of Art, the Slade School of Fine Art and the British School
in Rome |
| Taught at Lincoln, Leeds and Nottingham art
schools |
| Presently lives and works in Collingham, Nottinghamshire |
| Author of seven shows for the professional
theatre, two of which transferred to the West End and were subsequently
produced for BBC television; was also set and costume designer
for the theatre and also for Scottish Opera, the Madrid Opera
House and the Royal Opera House, London |
|
Anastasia Lewis
| 1959-63 St Martins School of Art; Central School
of Art, London |
| Presently lives and works in both Lincolnshire
and London |
| Exhibitions include ‘ArtFutures’,
Contemporary Art Society, London; Kettle’s Yard Open;
Concourse Gallery at the Barbican, London |
| During the late 1970s/1980s was theatre designer
and costume designer, supplying and making costumes for major
television series and films |
 |
Anastasia Lewis, Large
Landscape II
40 x 102 cm, oil on canvas, 2005 |
|
David Measures
| Born Warwickshire |
| 1955-58 Mid-Warwickshire School of Art; 1959-61
Slade School of Fine Art |
| Taught at Nottingham College of Art, Nottingham
Trent University and Royal College of Art |
| Presently lives and works in Southwell, Nottinghamshire |
| Exhibited prolifically throughout the UK since
the early 1970s, including latterly at the Natural History Museum,
London, Nigel Greenwoods Galleries, London, the Aldborough Festival
and regularly at the Wirksworth Festival (with Peter Cartwright
and David Willetts) |
| Highly regarded for his methodical ‘in
situ’ recordings of the natural flora and forna of the
British countryside. ‘David’s Meadow’, a study
of the butterflies of a disused railway track, featured in ‘Bellamy’s
Britain’ TV series some years ago |
|
Susan Michie
| Born Edinburgh |
| 1960s/1970s worked variously within the film
industry, latterly as assistant film editor to Tom Priestley,
Stephen Frears, Halas and Batchelor, Ridley Scott Associates
and Hugh Hudson. Returned to the industry in the 1990s, writing
the screenplay ‘Separate Lives’ and various film
treatments and adaptations, including work for Hat Trick Productions. |
| 1981 Byam Shaw School of Art |
| Moved to Dorset in 2001 and since then has
exhibited at the Atrium Gallery, Bournemouth |
|
Ian Sherman
| Born 1962; brought up in Kuwait and Dubai |
| 1980-83 Harrow School of Art; 1983-85 Slade
School of Fine Art |
| Presently lives in Barnstaple, North Devon |
| Solo exhibitions/performances include The Fridge,
London; Brixton Art Gallery, London; Zap Club, Brighton; Coventry
School of Art; and The Gallery, Manchester |
| Founder member and director of Brixton Art
Gallery and Brixton Artists’ Collective |
|
Bette Spektorov
| Born 1939 |
| 1961 MA Modern History, Oxford University;
Courtauld Institute |
| Presently lives and works in the Fens of south
Lincolnshire |
| Exhibitions include John Moores, Liverpool,
Camden Arts Centre, Usher Gallery, Lincoln, Peterborough Art
Gallery |
| Attended Anthony Blunt’s seminars on
Poussin; has contributed to various publications including ‘Studio
International’, ‘Art History’ and the ‘Larousse
Desk Reference Encyclopedia’ |
|
David Willetts
| 1954-8 Birmingham College of Art; 1958-61 Royal
Academy Schools |
| Taught at Derby, Loughborough and Bradford
colleges of art and latterly was course leader for MA fine art
at Nottingham Trent University |
| Presently lives in Southwell, Nottinghamshire
and is a panel member of East Midlands Arts and a member of
the Arts Council Advisory Committee |
| Solo exhibitions include the Ikon Gallery,
Birmingham; Bonington Gallery, Nottingham; Coracle Press, London;
and the Cairn Gallery, Nailsworth |
|
|